Venusville
Fred Worden, Chris Langdon US, 1973, 10', 16 mm
The two filmmakers had a bet: how easily can you tell the difference between a moving image of a still object, and a freeze frame of the same? Pretty easily. No montage, no human subjects, minimal visual content, and the artists basically pissing on the fourth wall by calling attention in every way possible to the artifice of what they’re doing. An anti-film school film made at film school. (Mark Toscano)
Preserved by the Academy Film Archive.
Fri 27/9 Kino SC 16:00
